Jeff Mock, Three Poems

 

UNDOING

 

 

Feeling restless, the couple drove from the city

Out to a park to walk under the always—

 

Green of pine and fir.  They came, for a change,

To talk in the open air.  It was just winter,

 

But no snow had fallen.  Along a trail

They walked and talked and disagreed because

 

They were married but no longer in love.

The sky clouded.  They each thought that someone 

 

Was responsible.  They talked of changes that must 

Be made, but could not agree on what to change.

 

 

ii

 

When they came to a fork, they argued about

Which trail to take.  Although the underbrush

 

Had shed, the evergreens argued for

Consistency.  It was winter.  The couple

 

Saw no birds, and they argued about

Which birds migrate, and whether for comfort 

 

Or sustenance.  The couple argued about

Returning to the city.  They walked farther

 

And listened to the silence.  The trail wound

Down to a small clearing and to a creek

 

 

iii

 

With a short leap of a wooden bridge over it.

They stopped to argue more, whether to cross,

 

Whether any argument was worth

Keeping up.  They would have preferred some sound

 

Other than their own lone voices.  The silence

Irritated them—the silence, and nothing

 

To fill it but themselves.  So this was winter,

They agreed, the season of loss.  They agreed

 

That their plans had become, well, complicated.

Above them, the green branches swayed—a wind,

 

 

iv

 

Then—and in the trash of leaves, millipedes

And stag beetles scurried.  A beetle crossed

 

Their path, and the woman gave a little cry

And shrank back.  The man crushed it beneath his heel. 

 

He put his arm around her then, but the clouds

Opened and the couple agreed to turn back.

 

And they did.  They turned back and in the silence

Heard the beetles feeding on the dead leaves.

 

She shivered, but they were going back now

To something unbroken and unfixable.

 

 

 

 

A BRIEF HISTORY OF THE FUTURE

 

 

Once past the future, we will recall it just

As we would a luscious party to which we were

 

Not invited, and we will have forgotten

All the particulars: the martinis we took

 

Utterly dry, with only a splash of pretense;

Necklines that plunged so far they made us dizzy

 

With depths that would crush our spines and float our desires;

Platinum cufflinks encrusted with diamonds

 

Bright enough to light the Eastern seaboard...

And what a party it will have been.  Once past

 

The future, we will recall it just as it

Happened, but less so, so that it seems more

 

Than it could ever have been.  This forgetting

Will enhance the aura of all those years

 

We misspent well and thoughtlessly, just as

The morning haze will make extravagant

 

Each abstracted sunrise, so that every

Morning over the Atlantic, the great

 

Glow of our fortune will dawn on us anew.

And we will draw the curtains and re-array

 

Our dreams in our lush beds.  Whatever lay

Beyond the formal gardens, the topiary

 

Of swans and pyramids, martini glasses

And Doric columns, whatever we hid from

 

Ourselves, was a world not rarefied enough

For our palates.  We will dream only that

 

The future will have been precisely what

We believed it should be: the gin tasting divine,

 

Our naughty little lies of sumptuous conquests

Turning out—for all we will recall—

 

Wholly true, and outside, lost beyond

The flora, the outsiders will clamor and fume.

 

And so, now, far before our time, we presume

That one finger, beckoning, will call forth

 

Such pleasures that we may luxuriate

In that future we have already lived so well.

 

 

 

 

THE RICHES OF THE GARDEN

 

 

The grounds of the abandoned mansion grew

Crazed with Alba, the white rose.  The garden

 

Was all unmade with the weight and sway of such

Profusion.  The trellises were overwhelmed

 

By the canes that, freed from their unnatural

Constraints, climbed and flourished and climbed anew,

 

And the trellises themselves were nothing more

Than a quaint conceit.  All of it seemed

 

A cultivated chaos to them, the girl

And boy who had agreed to meet beneath

 

The elm near the hexastyle portico.

In its shade, the double doors swung on their hinges,

 

And the house seemed to breathe.  Its glassless eyes

Looked down on them and followed as they spread

 

A quilt that she had thought to bring.  They lay

Side by side, and said nothing.  All their words

 

Were in their fingertips.  It wasn’t yet

Noon.  It wasn’t yet the languorous heart

 

Of summer.  Perhaps all of that should have been

Enough: time to linger beneath the elm,

 

 

ii

 

Time to touch, to hold hands within the view

Of that stately house that would one day fall

 

In on itself, time to kiss and know only

Part of what a kiss may mean.  Some day.

 

Speculation is useful for some: their parents,

Perhaps, the dour preacher of the Baptist church

 

Just down the road, the town gossip who sees

But does not perceive.  Still, one of them

 

—The girl or boy, it does not matter now—

Proposed that they explore the garden then

 

Because the roses seemed somehow to color

The air, a white velvet diaphanous

 

Haze that floated among the white blooms.

A bluestone walk led into it and vanished there

 

Beneath the garden’s excess.  Surely, they thought,

The walk must lead to somewhere they must go,

 

To someplace worth discovering.  The boy

Swept aside the first tangle of roses

 

And left a bit of blood on the thorns.  It was

Nothing, he said, and look, another stone.

 

 

iii

 

The house had eyes on all its sides and watched,

It seemed to them, as the girl entered and,

 

In turn, swept aside the next tangle of Alba

And mewed at the scratches on her arm.

 

Her blood beaded in irregular patterns

And looked almost like the notes of a song,

 

A measure of whole notes, the melody

Of some simple love song.  He daubed her blood

 

With his bandana, and each then made a vow

That the other would suffer no more harm.

 

Well, we all make foolish promises,

No matter that harm will have its way.

 

Thus, their vows and hope followed them or

—Neither can recall exactly now—

 

Perhaps it led them on.  It would be easy

Now to say that they were young, unworldly,

 

That responsibility had not yet lined

Their faces, that duty was only a word,

 

That those vows had not yet weighed on them.

It would be easy to say that they should have

 

 

iv

 

Turned back and remained youthful a while longer.

But what good is any advice in the bliss

 

Of ignorance?  As if any other bliss

Exists that heightens the senses so that

 

Even pain may feel something like pleasure.

Neither thought much of the cuts on their arms,

 

Nor of the small wellings of blood that gathered

Richly along each wound.  The house seemed not

 

To care, nor the ghosts within it who knew

More of human foibles than the girl

 

And boy could imagine.  They swept back the roses,

He then she.  Each shallow cut was another

 

Measure of the song written on their bodies.

They were an age when excess proved itself.

 

If this is what bliss demanded of them,

they would endure it together.  One noticed

 

That the roses, lovely as they were, had no

Scent.  The other snapped one from its stem

 

And said, Breathe deep.  Ahh.  It seemed to have opened 

Only for them, the white petals forming

 

 

v

 

What seemed infinite circles, one inside

Another, ring upon ring upon ring,

 

Years upon years.  Their flesh tingled.  Their thoughts

Tingled because their thoughts were flesh.  One caress

 

Does not suffice.  One kiss is not enough.

If the white of the roses and that of their intentions

 

Were of the same hue, it was not by chance:

All the world’s quirks were all significant.

 

And what might they find deep within the garden?

So they swept aside the knots of thorns

 

And for a while gloried in the cuts that each

Accepted for the other’s sake, their arms

 

And legs speckled with blood, their hands and cheeks.

Some might think them foolish, but not the ghosts

 

In the house that like all things would soon decay

And crumble and fall.  The girl and boy knew only

 

The impulse that pushed them on, assured, each

Believing that somewhere, wherever the path

 

Led them, lay the heart of the garden, and there 

They would lay themselves down and the pain would cease.

 

 

Jeff Mock is the author of Ruthless (Three Candles Press).  His poems appear in Atlantic Monthly, Georgia Review, Iowa Review, New England Review, North American Review, Shenandoah, Sewanee Review, Southern Review, and elsewhere.  He teaches in the MFA program at Southern Connecticut State University.