ROBINSON'S CAR IS NOTHING LIKE A PRAIRIE SCHOONER
yet he & Ann schoon the prairie.
His parents moved to Orlando,
so this stop in Beatrice is as
unnecessary as the town itself.
Surrounding farms rot.
Lack things bought, once,
from his father’s company:
window-hinges, trellises, railings.
Father wooed Mother mostly
through mailings to live as help-
mate to the scion of a business
in the Cornhusker State
that began by manufacturing
actual cornhuskers.
Robinson love-hated it when
his father tried the same way
to win him to the family fold:
to convince him to grow old
in a wholesome place, writing
letters on stationery from hotels
in Middle Western towns
already fading, but unerasable—
errors in a ledger, terribly kept.
Father even took son with him
to some of the less depressing:
Robinson saw his first talkie
in the Twin Cities. It was fun
& he wrote a little review
his father had published
in the Beatrice Daily Sun.
The Big Blue River used to
shiver with prosperity.
He & Ann walk down
the bank. The river is not
blue, but brown & you couldn’t
drown in it if you wanted to,
dry as the piece of creeping
gown his mother saved
& pinned to his baby book.
Looking to the skies, they see
no birds. Too hot. Robinson
craves the grace of rainy-day
games, but there seem to be
no more rainy days.
Kathleen Rooney is an editor of Rose Metal Press. She is the author of Reading with Oprah (University of Arkansas, 2005), the memoir Live Nude Girl: My Life as an Object (Arkansas, 2009), the collaborative collection, That Tiny Insane Voluptuousness (Otoliths, 2008), co-written with Elisa Gabbert, and Oneiromance (an epithalamion) (Switchback Books, 2008).