Karanga Risiam-style Ceremonial Dance Mask

A very rare and unique Mossi, Risiam-style mask with a large projecting beak. The mask’s open bill or beak was used as a peephole for the performing dancer. The three extending planks are the only remains of what would have been long, vertical, flat,  board-like panels projecting upward over the crown of the mask.

The mask may have once been polychrome at one time in its history. It has obviously undergone multiple occasions of village usage and adaptations in its traditional ceremonies. Surely considered a primary mask from its lineage; as the surface well demonstrates. The ancient, worn smooth, honey-colored surface or patina indicates generations of usage.

Provenance:  The first known American collector was the renowned collector Lawrence P. Kolton and Rachel Angotti of Michigan City, Indiana, between the years of 1969 and 1979.